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Re: Linear is old tech - on demand is the future
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It's funny that in an attempt to prove me wrong, only one show - Game of Thrones - could be named, and that isn't even owned by Sky! Says it all, really. It will be interesting to see what is on in its place. More repeats of GoT, no doubt! ---------- Post added at 13:20 ---------- Previous post was at 13:17 ---------- Quote:
And the answer to that is that Sky are showing HBO's Game of Thrones! Proved my point, really. |
Re: Linear is old tech - on demand is the future
You are conflating two issues. One being there’s no quality on linear TV (when there is) and the other being TV companies will (I would say “may”) have to produce more of their own content.
TV companies around the world will be in exactly the same boat in your post apocalyptic dystopia. There will always be scope to pool resources or buy from independent production companies. All the “good stuff” going to streaming is entirely subjective. You’re also ignoring that Comcast are a major content owner distributor themselves. Game of Thrones brings up something else though with this being considered a significant series drawing to a close worldwide and everyone engaging with it at roughly the same time. Something that will be lost if series just get dropped in one go due to the entire audience watching episodes at different rates. A subscription tv series may never be as talked about it as popular again. |
Re: Linear is old tech - on demand is the future
A few we've enjoyed
The Tunnel Patrick Melrose Chernobyl Strike Back Lucky Man Fortitude The kids or other family members of our house enjoyed The David Walliams programme (can't think of name) Stella A League of their own Plus many others and lots of third party content. |
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Arrow Chernobyl Blue Bloods Seal Team The Rookie Riviera Modern Family You wrongly assume if you don't like something nobody else does. |
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It is clear to me and many others that there are plenty of quality shows on streaming services. These are on the increase, while linear TV shows (with the notable exception of BBC and ITV, whose shows will soon be on Britbox) are declining. Whether you like it or not, I'm just pointing out what's happening, not whether it is good or bad. ---------- Post added at 16:47 ---------- Previous post was at 16:37 ---------- Quote:
I haven't watched The Rookie or SEALTeam yet so I can't pass judgement on them, but really, is that the best we can come up with? Do you really think those few shows are worth over 50 quid a month? Look what you get on Netflix for a tenner! There's no comparison. |
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Britbox is doomed before it starts and that is just not my opinion but the words of prominent media analysts.
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I trust you've taken account of the popularity of the BBC i-Player before posting that view. |
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I, however, can give you a huge list of stuff on Netflix at a fraction of the price Sky charges. |
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As for why people would subscribe to Britbox, it's for the same reason so many people love the UKTV channels. Plus, there will be archive material on there that is not currently available, plus they will have original content. It will also give viewers more time to watch recent series as the i-Player is really a catch-up service. It is very easy to fall behind with series on there. |
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https://www.ibc.org/delivery/britbox...e/3742.article https://www.theguardian.com/tv-and-r...ll-surely-bomb https://www.thetimes.co.uk/article/b...rime-zvplzqw5g https://www.forbes.com/sites/paularm.../#6959510e8bb9 |
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The assumption made is that Britbox will not result in content being taken back from Netflix by the BBC, but I think that remains to be seen. Even if it isn't, there's still a wealth of content that will be available. The shows immediately available from the BBC i-Player and the new originals will be attractive, without a doubt. ITV should have a fair bit of content to add to it as well. |
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Complete madness considering you can buy a streaming device for peanuts and a Freeview/Freesat recorder for a fraction of your years sub. |
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As I see it, Britbox is the method that secures British "broadcasting" into the future and probably will keep ITV alive for a bit longer too as the service gets jointly funded by the Beeb and ITV with perhaps CH4 coming onboard too. And without digressing too far off the subject, I believe Britbox will eventually lead to the merger of ITV and CH4 and possibly even the BBC in the future, if the license fee is stopped. Quote:
Netflix is becoming the first real global tv service with original shows for many different countries. Britbox will exist to purely serve the English speaking world or those interested in UK shows. It will never make foreign language shows like Netflix is doing. And the assumption that the BBC won't pull their stuff off Netflix is wrong. Firstly, as part of the breakup of UKTV, the BBC's factual content will be exclusively licensed to Discovery's global streaming app for ten years when it launches. (Edit: The rights are for outside the UK.) And secondly, why would the BBC keep all their other material on Netflix, when they can make money out of the stuff directly on their own commercial streaming service? |
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I'll give you a taster. TV series The Crown Spotless Limitless Gypsy Mindhunter Frontier Glitch Godless Mars Seven Seconds Beyond Weeds Dark 3 Percent Colony Superstition The Rain 13 Reasons Why Jack Taylor Safe Queen of the South Secret City Salvation The Method Dark Tourist Insatiable The Innocents Ozark Power Shooter Making a Murderer The Haunting of Hill House Manhunt The Sinner Greenleaf.......and much more Films The Witch 10 Cloverfield Lane The Revenant What Happened to Monday The Circle Gerald's Game 1922 Mudbound Bright Annihilation Stratton The Rachel Divide The Ritual Tau Cargo Calibre Like Father Jack Ryan Jack Reacher 22 July Operation Finale Extinction Close Polar Velvet Buzzsaw IO Triple Frontier The Highwayman.......etc I could never make a list of stuff I want to see like that from all the pay tv channels put together over the whole year. What I have set out is just a selection, and for less than a tenner a month. Sky not only has less material but also far less choice. ---------- Post added at 09:53 ---------- Previous post was at 09:48 ---------- Quote:
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Thanks for posting that list you've only strengthened my point that linear TV is still a strong option being that a lot of those shows were originally aired on linear TV and the rights held by the likes of Comcast and Fox plus many others.
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You've only got to look at the listings magazines to see that they are highlighting more programmes being shown on the streaming services than on the pay tv channels as good to watch. Apart from the films, these are the highlights shown just next week: Good Omens (Prime) When They See Us (Netflix) Gentleman Jack (BBC1) Britain's Got Talent (ITV) Black Monday (Sky Atlantic) The Oath (My5) Always Be My Maybe (Netflix) The Perfection (Netflix) Good Girls (Netflix) Killer Ratings (Netflix) Bad Blood (Netflix) The Society (Netflix) Wine Country (Netflix) Traitors (All4) The Wandering Earth (Netflix) The Planets (BBC1) Springwatch (BBC2) Whereas not long ago, there were just one or two programmes from the streamers highlighted in TV & Satellite Week each week, just look at it now! There's not really very much worthwhile highlighting now on the TV channels. That is the trend and it points to the future direction of TV. |
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I won't be watching Good Omens on Amazon Prime. The BBC were on the project before Amazon opened their wallet, so they deserve my viewing. I'll watch it on BBC2 later in year. Amazon's marketing for Good Omens really annoys me as they act like it's all them.
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I don't use TV guides (magazine) but never struggle to find new content recommended to me across both linear and Netflix.
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The pedantry on this forum is really tiresome and just takes us away from the theme of the points being made. |
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Your posts go more and more bizarre with every reply.:D And to prove it here we go your reply to Raider999 :D https://www.cableforum.uk/board/show...&postcount=798 |
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You've missed the point completely. ---------- Post added at 19:20 ---------- Previous post was at 19:16 ---------- Quote:
I have absolutely no interest over whether the streamers call a new programme an original or an exclusive. What the hell does it matter and how does that relate to the point I was making? It's just wilful deflection from the point. |
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You missed the fact you jumped on Raider999 claiming Game of Thrones is an exclusive on Sky not a programme produced by them but claim pedantry when someone pulls you up for the same.:D
Anyway we'll leave it there , I look forward to your next link telling us how streaming will change the world for us. |
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It's one thing with calling something Exclusive, customers understand that wording, it's rarely used in a completely misleading way. I have no problem with that word. "Original" however is taking credit, and suggests ultimate sole responsibility, and that's not OK for an import, or a co-production. It's deceiving their customers. It's like Waterstones acting like the books they sell they had a creative hand or they were responsible for discovering/nurturing the author rather than the publisher/agent. |
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Netflix ren't the only one's to use it.
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I certainly did not! |
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Although it has struck a chord with some of you on this forum, I don't expect most people really care. They see the show is only on that platform and decide accordingly. It is up to the creators to object if they don't like the term. The rest of us can sleep easy in our beds. :sleeping: |
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Star Trek Discovery has “a Netflix original series” in its opening credits. They didn’t commission it, nor did they have any creative input. They’ve simply acquired exclusive rights to distribute it outside the USA.
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I suspect the reason many people don't care, is simply because they don't know. Yes, there are many that would still probably shrug and move on if the issue was made clear, either because they either don't understand or don't care.
And even the creators may only be aware of how their show is marketed in their own country, again it's a case of them not knowing. If the likes of Netflix and Amazon commission the show, I have no problem with the term Original, so long as it's not a joint commission. They have to be the sole commissioning party to use the term in my opinion. I wish they'd just use Exclusive. I suppose part of the reason it is an issue for me is I'm currently working on multiple writing projects, and though many of them are intended to be books, I am looking at them from a TV/film adaptation standpoint as I go. And I know it would annoy me as the creator. |
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They may not have commissioned the show but their money probably helped bring it to our screens. Quote:
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But realistically I'm not likely to be in that situation, very few authors get adaptations, many barely make a living at it. But who knows, if it it ever happened I may be old and needing to fund a nursing home. :D |
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Talking of Star Trek, the new Picard show will appear on Amazon Prime when it launches, that is a surprise. I would have thought that CBS would want the show on its own streamer.
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The show was commissioned by CBS and bankrolled by them. Wherever they anticipated getting a return from it, the investment and the risk was theirs. Netflix is bending the truth slightly by calling it a Netflix Original Series. It is a Netflix exclusive, certainly, in the territories where they distribute it, but the terminology they have elected to use would more commonly be used of an actual production partner, which they are not (they would be in the actual end credits alongside all the other production companies and service providers if that was the case, and they aren’t - their credit is spliced onto the very beginning of the stream). |
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A quick search gets this FYI:
What is a Netflix Original? A “Netflix Original” is defined by the status Netflix gives to the show. This may be defined by the following:
https://www.whats-on-netflix.com/new...lix-originals/ |
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Yup, that’s what I understand it to mean - but I think they chose that terminology to imply they are perhaps more active in commissioning and producing content than they really are.
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At some point Netflix will lose whole swathes of content as the media cos pull their stuff off the service and stick it onto their own services.
I suppose from Netflix's point of view, it has helped to quell the numbers by using this originals term, as it does give the impression that Netflix make a lot more content than what at first may seem obvious. But, if the end result is the same and the only place you can watch certain shows is on Netflix, regardless of whether they make them or not, I guess it doesn't really matter in the end what they label their stuff as. |
Re: Linear is old tech - on demand is the future
ITV and the BBC are in a face-off over their joint streaming service BritBox, as the UK broadcasters’ differing priorities threaten their united front against the likes of Netflix.
Negotiations between the country’s two biggest TV groups have grown tense, according to several people with knowledge of the matter, with commercial network ITV committing more fully to the subscription service than the publicly funded BBC. Only ITV has pledged funding for the project, agreeing to invest £65m to the end of 2020. https://www.ft.com/content/afe11a6a-...2-f785092ab560 ---------- Post added at 17:45 ---------- Previous post was at 17:38 ---------- I didn't realise the article was behind a pay wall (it isn't on my phone) so here is the rest of it: The BBC, meanwhile, appears to be prioritising its proprietary platform, seeking a rule change that would extend programme availability on its iPlayer service to a year after initial broadcast from the current level of 30 days. If successful, BBC content would be available for free via iPlayer for 12 months before moving to paid service BritBox. One person close to the negotiations said ITV chief executive Carolyn McCall had “played hardball” with BBC director-general Tony Hall, telling him she would oppose the BBC’s request to media watchdog Ofcom “unless you back my project”. ITV said it would not comment on ongoing negotiations. The BBC said both parties were working well together and were committed to the project. But one senior BBC executive, while acknowledging the tie-up was “definitely not a forced marriage”, said “whether it will be a successful collaboration can be debated”. The platform, which is already operating in the US where it has more than half a million subscribers, is crucial to ITV. Advertisers are following audiences online and the broadcaster’s own streaming service ITV Hub has not proved as popular as the iPlayer. The company’s market value has dropped more than a third over the past 12 months to its lowest level in six years. Three months after Dame Carolyn said ITV was in “the concluding stage of discussions” with the BBC to launch the platform in the UK this year, touting the opportunity given the commercial broadcaster’s 1 per cent share of the country’s £6.3bn pay-TV market, no further details have been released. Some senior insiders remain sceptical that BritBox, with only ITV’s £65m in funding, can make an impact in the era of Netflix, a company expected to spend £11.5bn on content globally this year alone that has ambitions to become a “champion of British content, talent and storytelling”. One person close to the BritBox negotiations said there was “no way” the platform “was going to be in the same league as any of the existing streaming services”. “It is not going to make a material difference in terms of revenues and it is not going to save the public service broadcasters, because they have very low expectations,” the person said. Channel 4 and Channel 5, the UK’s other PSBs, said they were in “constructive discussions” with ITV on their participation in BritBox. ITV rejected claims that enthusiasm for the streaming service was low, saying the company remained on track to deliver it in the second half of the year. “Both ITV and the BBC believe BritBox will become a success,” the company said. Claire Enders of Enders Analysis believes proposed advertising restrictions on unhealthy foods and pressure on the BBC to waive licence fees for the elderly mean the BBC, along with the country’s other public service broadcasters Channel 4 and Channel 5, are unlikely to pay. The uncertainty comes at a bad time for ITV, which is facing reputational and regulatory risks over some of its programming. Dame Carolyn last week cancelled The Jeremy Kyle Show, ITV’s most popular daytime programme, after a recent guest died. That death, which followed the confirmed and suspected suicides in the past year of two former contestants in primetime hit Love Island, has prompted Ofcom scrutiny, while MPs have pledged to investigate the broader impact of reality TV. But certain observers believe scepticism over BritBox may be misplaced. “I can see it from the standpoint of the media elite in London, who would not watch Coronation Street if they were paid to,” said Ian Whittaker, analyst at Liberum. But there will be a demand for this product among the general population. There are people who do not want Netflix.” |
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Project Kangaroo 2....
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If, as I believe, ITV is about to be taken over this year and if it's taken over by someone like Disney or Liberty, it will be very hard for the BBC to justify why its putting money into a joint venture with an American company.
And besides, as the article says, the BBC have iplayer already, so how much do they want to prop up this commercial venture and in turn, prop up their ailing competitor? |
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I severely hope not , we already have to many American influences on our media industry.
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British broadcasters need services they control to succeed, including ones that use the Netflix model. |
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Disney shows will continue to be available for broadcasters to buy, even with the launch of Disney+ shortly. This should be a relief to those operating pay tv channels, at least for the time being.
However, whether other streaming services will follow this line is uncertain at the moment. It does make financial sense because everyone in this line of business will want to maximise their assets.Some shows will be reserved for their OTT service as exclusives, however, at least for the first years following release. https://tbivision.com/2019/05/24/tbi...-disney-might/ |
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It's interesting that HBO Now (the OTT service) in 2018 had only 5 million subscribers in a country the size of the USA with increased competition it's not beyond the realms of possibility to see some struggle to make any impact whatsoever.
HBO is well known in the USA I can't see a similar service attracting many over here. |
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However, I still think we will have more media/telco/tech mergers to go besides the obvious recombination of CBS with Viacom. If Disney felt the need to bulk up its content by buying most of Fox, then I expect to see the same thing happen again with the other media companies. ---------- Post added at 19:21 ---------- Previous post was at 19:18 ---------- Quote:
It could go all out and spend mulitple billions on content and it may still do so, but it seems more interested in having a value added service for existing customers and as bargaining chip with other companies to get Apple services on other devices and distribution systems. ---------- Post added at 19:23 ---------- Previous post was at 19:21 ---------- Quote:
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In fact I'd go as far as to say some of these services will still choose to do content deals internationally. |
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If some companies like CBS/Viacom never choose to release international streamers and rely on the likes of Amazon and Netflix to distribute their shows internationally, they lose that vital data. |
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Britbox is another streaming service likely to struggle in my opinion.
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Netflix's Sex Education is the prime example, in my mind, of what may go wrong when a American company tries to do a British show, but with a eye on how it plays out in the States and elsewhere around the world. I was really looking forward to the show, but after viewing 15 minutes of it last month, I could take no more of it. It's more American than British and I hope it doesn't signify how British "broadcasting" may go in the new streaming world. ---------- Post added at 20:03 ---------- Previous post was at 19:33 ---------- Quote:
Look at how many shows there are from the past (depending on your age) which could be remade for today's audience, there's tons of stuff, but there's been loads of new stories since, as we have great authors. Imagine if a British company had the film/tv rights to Harry Potter. There will be other opportunities. |
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Compared with the choice we had just a few years ago, the situation is becoming increasingly dire, because scheduled channels are simply not able to bid for shows that are now destined for the various streaming services. |
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Where do they score on IMDB? |
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The likes of Liberty Global , Sky , Comcast , Disney , ITV etc own different production companies so why would they cut content off from themselves.:D |
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Even if the likes of Disney eventually make their content exclusive the likes of Sky still has NBC and its own production companies with which to redirect it's money. |
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The same will happen with other streaming services - most if not all of their new shows will go straight to the new service and the pay tv companies won't get a look in. ---------- Post added at 14:46 ---------- Previous post was at 14:43 ---------- Quote:
The process will start with Disney + next year. |
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People will not pay for both a linear ESPN service and streamer. One will live, the other will not. Place your bets which will be which. BUt Sky's films channels are another good example. Sky now has the enormous Universal film library to feed on, but if the other studios withdraw their content from Sky, that not only puts the film channels at risk, but the entire linear tv satellite service. |
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It may not be news you want to hear, but it's happening anyway. If the linear channels don't produce more original content of their own, they will die. Sad, but true. Don't shoot the messenger. |
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Perhaps someone needs to ask the BBC Director General Tony Hall why he's signed off on a deal to purchase UKTV or ask Comcast why they've bought Sky. Perhaps they should have spoke to you first OB.
Oh OB your comments gets funnier by the day.:D |
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I wouldn’t expect my jaw to drop far. I’ve already stated I expect distributors to vertically integrate through selling direct to subscribers. For a right-wing, free trade supporter, who embraces with open arms free market capitalism I’m surprised that what you consistently fail to demonstrate is where the money comes from to sustain all of these independent entities. It’s basic economics. All markets have finite size. Pay-TV is an already widely exploited market, by Comcast, Liberty and yes Netflix and Amazon. The delivery method is new but the market itself isn’t. |
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There's already only five major Hollywood studios left and they will all likely get bought out by the tech cos in the next few years. We've already got the next big merger about to start when Viacom and CBS come back together and John Malone has made no secret he wants to sell some/all of his companies out to them and merge that lot with a mobile player like Verizon too. Then, someone like Amazon will come and along and gobble the lot in one bite. |
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I would expect that the bulk of all the streamer's profits will be through DTC services, rather than going through a third party. Quote:
I never said that Comcast wouldn't be one of them, clearly they are, but more consolidation is coming and I'm certainly not clear what name plate will be on the front doors of the HQs of the Big 5 (or however many cos it will be) in the next five years, but probably Apple, Google, Amazon, Microsoft and Netflix. |
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Why would it go the way of the supermarkets and not the Big Six energy suppliers? Consistently high and rising prices. They control end to end distribution.
Supermarkets are ‘kept honest’ to a greater or lesser extent by alternatives out there. Oligopoly is not equal to perfect competition. Not by a long shot. |
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Amazon already has its own Studios.
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When the Studios started up, everything was done in-house. They employed all their own craftsmen, controlled distribution of their content and had exclusive deals with the top actors. It will go back to that, I reckon, just in a modern way. At the moment, the Hollywood companies sell content to each other and many other broadcasters and distributors around the world. Soon, they will fully control their own content again, not sell it to others and probably sit around the table with the other big companies and fix the prices, if they're allowed to get away with it. ---------- Post added at 20:42 ---------- Previous post was at 20:41 ---------- Quote:
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Horizon, your views and mine aren’t actually a million miles apart on this in the medium to long term.
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Numbers play a big part in this and will determine things and who the winners will be and who the losers will be. If, as I expect, Netflix get at least half a billion subscribers, spending $20bn on content each year becomes sustainable. Will Disney or the Apple owned Disney (as I expect it to be) will they catch up with Netflix? Will there be a third truly global player, a fourth and fifth? We'll probably know within the next five years.
As for linear tv, I've said before, what linear tv channels that remain in the future, I expect they will act like shop windows into the streaming services. Perhaps the big streamers will take ads, perhaps not, but the free services will be what linear channels survive and I expect most of the pay tv channels to wither away. Well, that's what Murdoch thought and as he sold the bulk of his empire on that belief, I go with that. ---------- Post added at 21:28 ---------- Previous post was at 21:04 ---------- And just coming back to the comparison with the energy companies, the big tech/media/telco companies may not get everything their own way. I've spoken about for years about what I originally called the portals, which in today's terms would probably be called social media. As well as the big media/tech companies, there could literally hundreds/thousands of sites producing quality content and people come together from around the world on their favourite subjects and chip in to fund it, what we would now call crowdfunding. These sites may not attract the big name actors or directors, but that does not mean they would all be rubbish or not find their own niche. Look at youtube. There's rubbish on there, but also quality stuff. |
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Nobody forces you to subscribe to any TV service, do they? |
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